
The next morning when I have some quiet time, I get out my sketch book. I love trees. I love their structures, the character of each species and the way they vary.
I love the shapes of leaves, and the veins that show the growth patterns. The veins are really important when you draw leaves, they inform the whole shape and help show the 3D-ness of them.
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As I do this, I am falling in love with the morning sun on the trunk of the tree and the way the clouds cause the light to change, the sound of the wind in the new leaves. The sound that I had missed so much this winter.
My requirement is that I make the attempt, feel what comes up, spend time observing visually, and keep coming back to the playfulness of it.
Probably all this is in the Artist’s Way and I had just forgotten it, or is it in the Drawing on the Right Side of your Brain? Certainly much of it is coming from the study group with Sarah Oblinger. It feels like the kind of thing I just had to experience, will experience over and over, in order to get it from the inside. It seems to be the only way to call up the commitment to do it, to match

As I’m journaling this in my sketch book, I keep asking myself to come back to the tree trunk. Just look at the place that is attracting my eye, soaking up the feeling and letting the pencil do as it will.
1 comment:
A great entry. I love your sketches and thought process as you go along.
mz. em
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